Wind Ensemble

Grade 3:

Foundry

Sheltering Sky

 

Grade 4 / 4+:

Clocking

Hymn to a Blue Hour

Night on Fire

Strange Humors

Undertow

Xerxes

 

Grade 5 / 5+:

Asphalt Cocktail

Aurora Awakes

The Frozen Cathedral

High Wire

Kingfishers Catch Fire

(Redacted)

Redline Tango

Sasparilla

The Soul Has
    Many Motions

Turbine

Turning

Wine-Dark Sea

 

Concertos:

Drum Music: Perc. Cto

Harvest: Tbn. Cto.

Sop. Sax Concerto

 

Chamber Music

Orchestra

Music for Theater

Works in Progress

 

Strange Humors (2006)

Audio & Score

for concert band
duration: 5'30"

Grade 4 / Texas PML Grade 4

Click to buy : Full set $195. Extra 9x12 score $25.

original version for string quartet and djembe
also available for clarinet quartet and djembe and sax quartet and djembe

Commissioned by the American Bandmasters Association.

World premiere on March 1, 2006, at the ABA convention in Richardson, Texas. Performed by the Baylor University Wind Ensemble, conducted by Richard Floyd.
"Strange Humors" is dedicated to Richard Floyd.
This work is on the Texas UIL Prescribed Music List, classified as Grade 4.

Strange Humors represents another of Mackey's works (after "Redline Tango") that has been transcribed for wind ensemble. The first version of "Strange Humors" was a student piece for string quartet and djembe that Mackey wrote while pursuing his graduate degree at The Juilliard School. It was later adapted for use by the Parsons Dance Company, with choreography by Robert Battle. Its transcription came at the behest of Richard Floyd on behalf of the American Bandmasters Association. The piece represents a merging of musical cultures -- the modal melodies and syncopated rhythms of middle Eastern music with the percussive accompaniment of African drumming.

At the heart of the work lies the pulse of the djembe, which remains from the original version. The djembe, an hourglass-shaped drum played with bare hands, is a major part of the customs of west African countries such as Mali and Guinea, where djembe ensembles accompany many functional celebrations of society.

The piece opens with a sultry English horn solo, a line laced with Phrygian influence representing the "typical" melodies of the most northeastern parts of the African continent -- most notably Egypt, but also parts of the Arabian peninsula. Later, the saxophones emulate the snaking lines of the English horn. The addition of brass and auxiliary percussion to the original orchestration makes for particular impact during the shout sections of the piece, and the groove of the djembe combined with the quirky rhythms throughout leave an impression that lingers in the listener's mind long after its conclusion.
Program note by Jake Wallace
Please credit Jake Wallace when reproducing or excerpting this program note


Video of Strange Humors
Music by John Mackey
Choreography by Robert Battle - choreography copyright © 1998, Robert Battle
Dancers: Samuel Roberts and George Smallwood
Performed at the Jacob's Pillow Dance Festival